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Peter Paul Rubens Madonna in Floral Wreath Date ca. 1620(1620)
Medium Oil on oak
Dimensions Height: 185 cm (72.8 in). Width: 209.8 cm (82.6 in).
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Peter Paul Rubens Old Woman with a Basket of Coal Date between 1618(1618) and 1620(1620)
Medium Oil on wood
Dimensions Height: 115 cm (45.3 in). Width: 92 cm (36.2 in).
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Peter Paul Rubens La Transfiguration 1605
Medium Oil on canvas
Dimensions 4,07m x 6,70m
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Peter Paul Rubens the home of Abraham uploaded from the page of the Hermitage Date 1615-1617
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Peter Paul Rubens Bellerophon, Pegasus and Chimera Date 1635(1635)
Medium Oil on wood
Dimensions 34 x 27.5 cm (13.4 x 10.8 in)
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Peter Paul Rubens Four Studies of the Head of a Negro Date first half of 17th century
Medium Oil on canvas transferred from wood
Dimensions Height: 51 cm (20.1 in). Width: 66 cm (26 in).
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Peter Paul Rubens Peter Paul Rubens oil on canvas, 1640 CE.
Date 1640(1640)
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Peter Paul Rubens Gewitterlandschaft mit Philemon und Baucis Date ca. 1630(1630)
Medium Oil on wood
Dimensions 146 x 208,5 cm
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Peter Paul Rubens Bildnis eines Mannes mit goldener Kette Oil on panel
Deutsch: Öl auf Eichenholz
Dimensions Deutsch: 48,7 x 40 cm
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Peter Paul Rubens Portrait of prince Wladyslaw Vasa in Flemish costume. Date ca. 1624(1624)
Medium Oil on canvas
Dimensions 116.2 x 85.8 cm (45.7 x 33.8 in)
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Peter Paul Rubens The Road to Calvary Date between 1634(1634) and 1637(1637)
Medium Oil on canvas, rounded at the top
Dimensions Height: 569 cm (224 in). Width: 355 cm (139.8 in).
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Peter Paul Rubens Perseus and Andromeda Date between 1620(1620) and 1621(1621)
Medium Oil on canvas transferred from panel
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Peter Paul Rubens Virgin and Child with the Infant St John Date first half of 17th century
Medium Oil on paper fixed onto canvas
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Peter Paul Rubens Albert and Nicolaas Rubens Date between 1626(1626) and 1627(1627)
Medium Oil on wood
Dimensions Height: 157 cm (61.8 in). Width: 93 cm (36.6 in).
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Peter Paul Rubens Tournament in front of Castle Steen Date between 1635(1635) and 1637(1637)
Medium Oil on wood
Dimensions Height: 72 cm (28.3 in). Width: 106 cm (41.7 in).
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Peter Paul Rubens The Straw Hat Date ca. 1625(1625)
Medium Oil on wood
Dimensions Height: 79 cm (31.1 in). Width: 55 cm (21.7 in).
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Peter Paul Rubens Rubens, his wife Helena Fourment, and their son Peter Paul Date ca. 1639(1639)
Medium Oil on wood
Dimensions Height: 203.8 cm (80.2 in). Width: 158.1 cm (62.2 in).
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Peter Paul Rubens Return from the Fields Date ca. 1640(1640)
Medium Oil on wood
Dimensions Height: 121 cm (47.6 in). Width: 194 cm (76.4 in).
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Peter Paul Rubens The Meeting of Abraham and Melchisedek Date between 1620(1620) and 1621(1621)
Medium Oil on wood
Dimensions Height: 49 cm (19.3 in). Width: 65 cm (25.6 in).
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Peter Paul Rubens The Rape of the Sabine Women Date between 1635(1635) and 1637(1637)
Medium Oil on wood
Dimensions Height: 170 cm (66.9 in). Width: 236 cm (92.9 in).
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Peter Paul Rubens
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Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
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